Showing posts with label writing for children. Show all posts
Showing posts with label writing for children. Show all posts

Sunday, December 2, 2012

MADELINE'S CHRISTMAS IN A THEATER NEAR YOU!

Stages Theatre Company's 2012 Production of Madeline's Christmas
l. to r.: Georgia Conlin as Kate, Kacie Riddle as Madeline, and Macailah Maxwell as Isabelle
Photo by Bruce Challgren of Photopixels.com
 
In an old house in ParisThat was covered with vines
Lived twelve little girls
In two straight lines.
They left the house at half-past nine
In two straight lines, in rain or shine.
The smallest one was MADELINE.


Madeline’s Christmas by Ludwig Bemelmans, was originally written as a special book insert in the 1956 Christmas edition of McCall’s. The book was published in 1985. In 2003, composer Shirley Mier and I were fortunate enough to be asked to adapt this classic tale of the beloved and ever spunky Madeline for the Stages Theatre Company. This year the production has come back "home" to Stages Theatre Company under the direction of Artistic Director, Sandy Boren-Barrett.

Stages Theatre Company's 2007 production of Madeline's Christmas
Photo: Bruce Challgren www.photopixels.com
I have told a lot of people that adapting this story into a musical was a labor of love. It truly was. Like many young girls, I grew up reading the Madeline books, and I read them to my own daughters as well. Creating the world in which Madeline, the twelve little girls, Miss Clavel, Mrs. Murphy, and the rug merchant (I named him Harsha), live was magical.

Part of the agreement for me to be able to adapt Ludwig Bemelmans’ book was to stay true to his original story. The play needed final approval by Barbara Bemelmans, Ludwig’s daughter. And this approval happened after Shirley and I had put countless hours into the script, lyrics, and music. Lucky for us, Barbara gave it the thumbs up. She even gave me some feedback as to what she felt her father would and wouldn’t have written in certain scenes. She told me that it was very important that the “twelve little girls” always show respect, especially to Miss Clavel. She even gave me some suggestions for names of the girls. I will always be grateful to her for helping me to forward the script in that way.
 
Stages Theatre Company's 2007 production of Madeline's Christmas
Photo: Bruce Challgren www.photopixels.com

As with any adaptation, there were questions that I needed to answer for the audience. Why did everyone but Madeline get sick? There isn’t any explanation in the book. I decided that Madeline was the only one who remembered to wear her scarf when they go on their morning walk. Being a mom and raising my girls in a cold climate, I thought this might help a few parents while trying to encourage their children to dress warmly. ;-)

I also wanted the twelve little girls to be different from one another. On the page they are somewhat like a Greek chorus with their collective “boo hoo’s” and precise straight lines. To give them individuality, I gave them all names and different traits. The more challenging parts of the story occur when the magician makes the dishes move by themselves, and when all of the girls fly on magic carpets to go home for Christmas. One of the great things about being a playwright is that you can write things like: “Plates magically move on cupboard.” “Girls fly on magic carpets by the Eiffel tower.” Then the director and tech crew have meetings to decide how to make those magical elements work!

The first production of Madeline's Christmas was at Stages Theatre Company in 2004. Since that production, it has been published by Dramatic Publishing Company, and has been seen in over 80 theatres nationwide.
 
Thank you to the following theatres who are producing it this year!
 
Stages Theatre Company Hopkins, MN www.stagestheatre.org
Children's Christian Theatre, Garland, TX
The Van Meter Theater of Western Kentucky University, Bowling Green, KY
The Phipps Center for the Arts, Hudson, WI www.thephipps.org
Lynn Meadows Discovery Center, Gulfport, MS
Newnam Theatre Company, Newnam, G www.newnantheatre.org
Horizon Theatre Company, Atlanta, GA www.horizontheatre.com
Topeka Civic Theatre & Academy, Topeka, KS www.topekacivictheatre.com
The Spartanburg Youth Theatre, Spartanburg, SC www.spartanburglittletheatre.com/youth
Broward Center for the Performing Arts, Ft. Lauderdale, FL www.browardcenter.org
Charleston Stage, Charleston, SC www.charlestonstage.com
Theatre of Western Springs, Western Springs, IL www.theatreofwesternsprings.com
Theatre IV, Richmond, VA www.theatreIV.org
Omaha Theater Company, Omaha, NE www.rosetheater.org
Sutter Street Theatre, Folsom, CA www.sutterstreettheatre.com
 

Stages Theatre Company's 2007 production of Madeline's Christmas
Photo: Bruce Challgren www.photopixels.com
 
Playwright Jennifer Kirkeby and Composer Shirley Mier
 
I wish you all the Happiest of Holidays, a very Merry Christmas, and a joyful and healthy New Year!  
 
If you are interested in more information about Madeline's Christmas, or to see some of my other plays, please visit Dramatic Publishing. www.dramaticpublishing.com. In the keyword search click on "title", then type in: Madeline's Christmas. To see other titles, go to keyword search, click on "author's last name" and type in Kirkeby.
 
To read an excerpt of Madeline's Christmas:
you can read exerpt once you've entered Madeline's Christmas in the keyword search.

Sunday, February 19, 2012

Liebster Blog Award - Spreading the Love



During the month of February, I have had the honor of receiving two Liebster Blog awards!

My gratitude goes to fellow 12 X 12 in 2012 participant Beth Stilborn at http://www.bethstilborn.com and author Sarah Frances Hardy at http://sfhardy.blogspot.com/. Thank you Beth and Sarah!

“Liebster is a German word, meaning dearest or beloved, but it can also mean favorite. The idea behind the Liebster Blog Award is that it is given to bloggers who have less than 200 followers in order to create new connections and bring attention to these wonderful blogs!”

The requirements are simple: Add the award to your blog (simply save the logo above to your desktop, then add it to your blog). Thank the giver with a link back to them. Pass the award along to five other bloggers, and let them know they’ve been given an award by leaving a comment on their blog. Hope that your followers will spread the love to the blogs you’ve spotlighted.

Here are five random things about me:

1. The first thing I remember writing was choreography to Swan Lake. Then I would perform my dance for my family. My mom loved it. My brothers didn't.

2. I'm ambidextrous. I think it's a result of trying to please my teacher who kept trying to get me to switch to writing with my right hand and staying true to myself.

3. I love theatre. I just finished performing the 44th show of the musical that I adapted of Anna Dewdney's  book, LLAMA LLAMA RED PAJAMA.

4. I have 2 Schnoodles. I can't imagine life without animals. Especially these two:

Snickers and Sadie
5. Humor is as important as food to me.

And now the best part of any blog award — giving it to someone else! Please visit these bloggers, and if you like what you see on their blogs, click to follow!

1. Dana Carey http://danacarey.blogspot.com/

2. Laura Purdie Salas http://laurasalas.wordpress.com/

3. Lisa Bullard http://www.lisabullard.com/

4. Renee LaTulippe http://www.nowaterriver.com/

5. Jennifer Bertman http://writerjenn.blogspot.com/

Friday, February 3, 2012

Anna Dewdney's Visit


Anna Dewdney & Jennifer Kirkeby
Stages Theatre Company had the pleasure of a visit from Anna Dewdney, the very popular author and illustrator of LLAMA LLAMA RED PAJAMA. The cast was very excited to meet her! She saw our musical adaptation twice and signed her book for many thrilled audience members.

Anna talking to the cast prior to the show
Baby Llamas in their bedrooms
Mama Llamas
Artistic Director Sandy Boren-Barret, Playwright and Mama Llama, Jennifer Kirkeby
Author and Illustrator of LLAMA LLAMA RED PAJAMA, Anna Dewdney
Anna Dewdney and the Cast of LLAMA LLAMA RED PAJAMA at Stages Theatre Company
Since we opened on January 13th, we have been averaging ten shows a week. By the time we close on February 12th, approximately 22,000 people will have seen this show. It has been an honor and a privilege to be a part of this fun production. It is particularly rewarding to hear parents thank us for bringing their child's favorite book to life. I love to talk to kids about books when we greet them in our receiving line after the show. Thanks for the visit, Anna, and we look forward to reading more LLAMA books!

Saturday, January 14, 2012

From the Page to the Stage: a few tips on how I adapt a picture book into a musical

At Stages Theatre Company on opening night of LLAMA LLAMA RED PAJAMA
I am frequently asked how I take a picture book of say 200 words or so, and turn it into an hour musical. I have a few secrets that I'd like to share.
The book author has already done a lot of the work. They have developed a character, a problem, and an ending. So I begin there.
In the case of Anna Dewdney's LLAMA LLAMA RED PAJAMA, Artistic Director Sandy Boren-Barrett had the idea of having six baby llamas and six mama llamas instead of just one each. Each character has a unique and clear personality. The individual mamas only relate to their own babies, so in essence there are six stories tied together with wonderful musical numbers composed by Shirley Mier.
Then my imagination gets to unleash. One of the babies is a drama llama, another loves to golf, one likes to do magic tricks, Billy is the next "tap-dancing sensation!", one baby plays soccer, and another is an avid reader.
As a result, each baby establishes what they do immediately. They have conversations with their stuffed baby llamas. Once they're tucked in bed, they come up with crazy ideas as to why their mamas aren't coming back to check on them.
"She probably joined the circus." "I'll be she went to outer space!" "She probably joined "Dancing With The Stars." "She went to Hollywood to be on "Are You Smarter Than A Llama?" "I'll bet she went up the beanstalk!"
And yes, I did word play. How could I resist having one of the mama llamas who happens to be a clean freak say: "I'd better clean up in case Obama Llama stops by." Or: "Pick up your dolly, llama." I just couldn't help myself.
Then the audience watches these vignettes come to life through the magic of theatre. It's just enough to keep the young ones engaged and the parents chuckling. What parent doesn't relate to trying to get their child to bed? And how creative do kids get in trying to have their parents return?
There are wonderful musical numbers such as: "I Don't Want to Go to Bed", "Llama Lullaby", "All Alone", "The Humming Song", "What is Mama Llama Doing?" and "Stomp and Pout, Jump and Shout".
I try very hard to stay true to the original author's intent although clearly much is added in the creation of a musical. But I think a lot of the process is wonderful for a picture book author. For example:
  1. Try writing your story only with dialogue. How does it change things?
  2. Try asking: "What if?" Let your character fly to outer space if they feel like it. You can always bring them back later.
  3. Don't limit the dialogue to just the characters. What if the stuffed animal talked to your character? What if their pet spoke to them? The lamp? What would they say, and how would your character respond?
  4. Try different settings for your story. How would it change if your character was in a boat in the middle of the ocean? In a tree? In another country?
  5. DON'T CENSOR YOURSELF! This is a big one for me and a lot of writers. You know that voice that is always telling you: "That is ridiculous. A chicken can't waltz!" Well, guess what? In my world they can! Have fun. The real work begins in the rewrites anyway. 
Jennifer Kirkeby is a published playwright, actress and teaching artist. Her adaptation of Ludwig Bemelmans' MADELINE'S CHRISTMAS (Dramatic Publishing Company) has been performed in more than 45 theatres nationwide. She's the mama of two beautiful girls who were masters of avoiding bedtime when they were little.

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